Piano Dois Pianos Quarteto de Cordas Partituras Clarinete Livros CDs

Trombone solo Trombone Ensembles Ensembles de Metais Quinteto de Metais

Da Capo Contato Linksen de fr it es bg

Trombone Ensembles

Johannes BrahmsHungarian Dances 3, 5 & 7

for trombone quartet

Selected and arranged by Ivaylo Hristov.

Johannes Brahms – Hungarian Dance No. 3

Trombone Ensembles

Johann Sebastian BachCanone I from The Art of Fugue

  • Canone per augmentationem in motu contrario
  • for trombone duo, tenor trombone and bass trombone duet

    Transcribed by Ivaylo Hristov.

    Quinteto de Metais

    Béla BartókQuatro Diálogos Sz. 82, 1926

    Arranged para quinteto de metais by Ivaylo Hristov.

    Moderato, Andante, Lento, Allegro vivace

    Os Diálogos foram publicados em 1927 como Volume I da colecção Nove Pequenas Peças para Piano, Sz. 82, BB 90. Em rigoroso contraponto, recordam as Invenções de J. S. Bach, mas na realidade soam bastante modernas dada a variedade melódica, rítmica e harmónica dos temas de Bartók. Embora tenha apenas sete minutos de duração, este pequeno conjunto de miniaturas polifónicas cativa o ouvinte com a frescura das conversas entre todos os músicos do quinteto.

    7'

    Penko Gelev.

    ISMN 979-0-707683-19-4

    Quinteto de Metais

    Manuel de FallaDança da Esposa de MillerFandango de O chapéu de três pontas

    Arranged para quinteto de metais by Ivaylo Hristov.

    The miller's wife dances the Fandango and pretends to be so absorbed in her dance as not to notice the return of the Corregidor, who betrays his admiration of the dancer. Her joyful Fandango closes the first act of the ballet El sombrero de tres picos (1919), from Manuel de Falla.

    4' 05"

    Penko Gelev.

    ISMN 979-0-707683-16-3

    Quinteto de Metais

    Giacomo PucciniCoro a boca fechada – de Madama Butterfly

    Arranged para quinteto de metais by Ivaylo Hristov.

    Esta conhecida melodia está sendo cantada enquanto Cio-Cio-san cochila espera que seu amado Pinkerton lhe faça uma visita. É o trombone em sotto voce que recebe o solo maravilhoso e magistral do quinteto. Definido no tom original, o Coro do Zumbido pode ser executado também com um coro.

    3' 10"

    Penko Gelev.

    ISMN 979-0-707683-09-5

    Trombone e Trombone Baixo

    Milko KolarovConcerto for Bass Trombone and Orchestra

  • Sonatina
  • Aria
  • Toccata
  • Transcription for bass trombone and piano by the author.

    Commissioned by Swiss bass trombone player Johannes Bigler this Concerto was and premiered in 1998 during Varna Summer music festival. It was named by the critics as a brilliant piece... a model of miniature form.

    Piano and solo part.

    Milko Kolarov – Konzert – Sonatina (excerpt)

    A partitura orquestra anche è disponibile.

    Trombone e Trombone Baixo

    Andrian Pervazov/dev/jam para Trombone e Harpa

    Gravado no CD Embracing The Unknown por John Kenny e Catriona McKay a Brass Classics label.

    8' 35"

    Harp and solo part

    ISMN 979-0-707683-00-2

    Andrian Pervazov – /dev/jam (excerpt)

    ...Instead, we shall better listen to the jam, we shall better try to enjoy it if only humanly possible. And, should we ever come across an unmarried locomotive, we shall be very, very careful!

    Program notes in English and Bulgarian.

    Orquestra Partituras e Materiais

    Milko KolarovConcerto

    for bass trombone and symphony orchestra

  • Sonatina
  • Aria
  • Toccata
  • Commissioned by Swiss bass trombone player Johannes Bigler this Concerto was and premiered in 1998 during Varna Summer music festival. It was named by the critics as a brilliant piece... a model of miniature form.

    Bass trombone and piano version is also available.

    Milko Kolarov – Concerto – Toccata (excerpt)

    Quarteto de Cordas

    Milcho LevievQuarteto de Cordas 1960, rev. 2019.

  • Allegro con brio
  • Passacaglia. Andantino semplice
  • Scherzo. Vivace con fuoco – Poco meno vivo – Vivace come prima
  • Finale. Allegro giusto – Vivacissimo
  • Milcho Leviev (1937-2019) compôs seu Quarteto de Cordas para o exame de graduação de seu mestre em composição. Esse trabalho inicial, fortemente influenciado pela música de Paul Hindemith, teve uma única performance de estréia em 1960. Em 2019, a partitura foi redescoberta pelo Quarteto de String Philharmonica, cujos membros adotaram a tarefa de programá -lo. Enquanto participava de um de seus ensaios, Leviev fez certas pequenas emendas à partitura.

    2 violinos, viola e violoncelo – 72 páginas.

    18'

    Penko Gelev.

    ISMN 979-0-707683-21-7

    Pantcho Vladigueroff Urtext editions

    Pantcho VladigueroffPancho VladigerovRhapsody Vardar op. 16, para dois pianos, Urtext

    Originally Bulgarian Rhapsody Vardar for violin and piano, composed in 1922.

    76.

    8' 10"

    P. Vladigueroff – Rhapsodie Vardar op. 16

    Piano

    Pantcho VladigueroffPancho VladigerovFive Poetic Pictures para piano op. 68 (1976) Urtext

    À Nikolay Evrov

  • Invention
  • Tristesse
  • Grotesque
  • Chant
  • Jeu
  • 7' 10"

    P. Vladigueroff – Cinq tableaux poétiques – Jeu

    Dois Pianos

    Pantcho VladigueroffPancho VladigerovRomance and Cakewalk w/o opus, para dois pianos, Urtext

    From the stage-music for the play Caeser and Cleopatra by Bernard Shaw, composed in 1920.

    77.

    5' 20"

    P. Vladigueroff – Romance et Cakewalk w/o opus

    CDs

    Pantcho VladigueroffPantcho VladigueroffEm cores brilhantes – trabalha para dois pianos de Pancho Vladigerov em suas próprias transcrições de 1976-77, interpretadas pela dupla de piano Pantcho Vladiguerov Jr. e Dimo Dimov. CD Audio & Video.

    Suite bulgare op. 21, 1926

    Mar Dimitro lyo op. 23, No. 2, 1931

    Bilyana op. 23, No. 6, 1931

    Hora staccato w/o opus, 1942

    Foxtrot w/o opus, 1925

    Em cores brilhantes – um filme sobre Vladigerov e sua música.

    41' 37" / 62' 56"

    Mar Dimitro lyo (excerpt)

    Foxtrot (excerpt)

    2008 • Ⓟ

    Clarinete

    Roumen BalyozovThree Pieces for solo clarinet

  • Ritual
  • Elegie
  • Moto Perpetuo
  • Three Pieces for solo clarinet (composed in 1981) are dedicated to the famous Bulgarian clarinet player Atanas Kolev. This composition was premiered at the festival New Bulgarian Music in 1982 and holds the Annual Chamber Music Award of the Union of Bulgarian Composers for the same year.

    7' 20"

    Roumen Balyozov – Three Pieces – Moto Perpetuo

    Established in 1999 in Sofia, Bulgaria, Edition Elm is an enterprise of Ivaylo Hristovtrombonist, arranger and conductor. We publish sheet music of his own arrangements for trombone ensembles, for brass quintet, and for various mixed brass ensembles. Our catalogue includes also music, scores, and parts of contemporary Bulgarian music for trombone and bass trombone accompanied by piano, organ, harp or orchestra, as well as full orchestra scores, string quartet, books and CDs.

    We publish Urtext first editions of the last piano works by the great Bulgarian composer Pantcho Vladigueroff, all composed in 1970s – six books of piano miniatures as well as his complete works for two pianos in thirteen titles.

    Edition Elm is a member of the Bulgarian copyright society Musicauthor.

    Please pay attention to our order policy in payment, shipping, delivery, and discount options.

    Our efforts through the years in spreading the Bulgarian musical heritage out were encouraged by renowned artists and pedagogues by their reviews.

    Catálogo de Partituras, CDs & Livros

    Quinteto de Metais – clássica peças transcritas de Ivaylo Hristov.

    Ensembles de Metais – Música para vários ensembles de metais por Ivaylo Hristov.

    Trombone Quarteto, Trio, Dueto, Canone – transcrições e arranjos de Ivaylo Hristov.

    Trombone e Trombone Baixo solo – acompanhado por piano, orgão, harpa, orquestra.

    Piano – música para piano solo por Pantcho Vladigueroff e Mario Angelov.

    Dois Pianos – obras completas de piano duo de Pantcho Vladigueroff em Urtext.

    Pantcho Vladigueroff Urtext Série – Primeira edição de obras tardes para piano e dois pianos.

    Clarinete – solo búlgaro repertório.

    Quarteto de Cordas – Quarteto de Cordas de Milcho Leviev.

    Orquestra Partituras e Materiais de aluguer – contemporânea música búlgara para orquestra.

    CDs Audio & Video – Gravações de música para dois pianos, e para trombone e piano.

    Livros – Livros musicais e Métodos (em búlgaro).

    Ordem, Pagamento, Entrega, Descontos

    Press the yellow Add to cart button for a payment via PayPal or check the PayPal box on the Order form to send the amount due to pay.

    We temporarily do not accept card payments and hope these will be available again.

    Please contact us if you'd prefer bank or money transfer and optionally Western Union or MoneyGram.

    All retail orders are being SHIPPED FOR FREE WORLDWIDE.

    Delivery follows upon reception of payment. It takes up to 1 or 2 weeks, depending on the destination.

    Your invoice is being attached to the shipment.

    Bundle orders in packages as set bellow (and on page 5 in the print order form too) get 10,7% – 24,2% discount.

    O número ∴ Descrição de pacotes de música ∴ Compre agoraCat. N ºPcs.PreçoVocê pagaVocê salva
    EB5Brass Quintet arrangements of Ivaylo Hristov
    EF5Todas 5 danças de O chapéu de três pontas
    ET8Trombone Ensembles arr. of Iv. Hristov
    ES1Bulgarian Music for Solo Trombone
    EP7Pantcho Vladigueroff – Piano Works
    ED7Pantcho Vladigueroff – Works for 2 Pianos
    EV7Pantcho Vladigueroff – Complete set

    If you still need a bunch of music, but not a package among listed above, we offer 10% rebate on any retail order greater than 12 copies. In this case please print this order form, fill it in and send it back.

    We offer FREE SHIPPING & DELIVERY WORLDWIDE on all discounted orders too!

    Distributors and wholesalers please consider this form and contact us for further details.

    Comentários

    Vern Kagarice

    Edition Elm manager Ivaylo Hristov has compiled a wonderful collection of original brass works and transcriptions in his Edition Elm catalog. He has chosen many works that are not otherwise available, so he does the brass community a great service. His attention to Bulgarian music is especially gratifying, in that he is introducing some very interesting new works. His transcriptions are well-chosen and well-done, although sometimes quite challenging.

    Congratulations for an excellent effort.

    Vern Kagarice

    Former Professor of Trombone

    University of North Texas

    John Kenny

    For half a century, the contemporary culture of Eastern Europe was closed to us in the West. Towering beacons shone through the gloom, but our knowledge was largely restricted to those masters who either transcended the Iron Curtain, or who left to teach and compose in the West. Since 1990, a whole new world has opened up, revealing the wealth of creativity which thrived beyond our hearing – each nation swallowed by the Soviet whale struggling to maintain its own cultural identity in every art form.

    Bulgaria is a small nation with an ancient and proud culture stretching back to the time of Alexander the Great. From 1945 Bulgarian musical life fostered a distinctive school of trombone playing, with a rich teaching tradition, producing a substantial body of superb recital and study material. Today the country is home to a community of talented and prolific composers – and Edition Elm has committed itself to both documenting the past, and encouraging the contemporary. Every piece in Elm’s collection has been chosen and edited by professionals, and is presented in performing materials of the highest quality and clarity, complete with biographies of all composers. These works are an invaluable addition to both personal and institutional libraries, and I have no hesitation in recommending them to performers and teachers internationally.

    John Kenny

    Professor for the interpretation of contemporary music

    Guildhall School of Music and Drama, London

    Professor of Sackbut

    The Royal Conservatoire of Scotland, Glasgow

    Nikolay Evrov

    I ardently acclaim the appearance of Edition Elm and the idea to publish the works of Pantcho Vladigueroff. This rectifies a serious deficiency in Bulgarian musical culture and represents a significant contribution to the consolidation of national conscience and self-confidence.

    Leading modern Bulgarian pianists are involved as editors and exponents in the preparation of this publication. These are people who were close friends with the composer and through their personal contacts with him had an opportunity to acquire knowledge and understanding straight from the horse’s mouth.

    The print is state-of-the-art technology and easy to read.

    I wish the publisher success with his noble mission.

    Nikolay Evrov

    Former Professor of Piano

    Sydney Conservatorium of Music

    ElmUS.biZ