These most popular dances from the ballet Coppélia (1870) by Léo Delibes are arranged for brass quintet in their original version for concert preformance.
Originally for piano, this collection of 12 waltzes was written for Viennese ballrooms a few months before the composer passed away. It is their lilting and distinctive Viennese rhythm, rubato, balanced phrases, straightforward form, gliding middle voices, melodic suspensions, and unexpected harmonic subtleties that attract the listener.
Les Dialogues ont été publiés en 1927 comme Volume I du recueil Neuf petites pièces pour piano, Sz. 82, BB 90. En contrepoint strict, ils rappellent les Inventions de J. S. Bach, mais sonnent en fait très modernes étant donné la variété mélodique, rythmique et harmonique des thèmes de Bartók. Bien qu'elle ne dure que sept minutes, cette courte suite de miniatures polyphoniques captive l'auditeur par la fraîcheur des conversations entre tous les musiciens du quintette.
Le Meunière se met à danser le Fandango, et feint d'être très absorbée dans sa danse et de ne pa voir arriver le Corrégidor, qui fait des gestes d'admiration en voyant la danseuse. Son joyeux Fandango clôt le premier acte du ballet Le Tricorne (1919), par Manuel de Falla.
Milko Kolarov – Concert pour trombone basse et orchestre
Sonatina
Aria
Toccata
Transcription pour trombone basse et piano par l'auteur.
Commissioned by Swiss bass trombone player Johannes Bigler this Concerto was and premiered in 1998 during Varna Summer music festival. It was named by the critics as a brilliant piece... a model of miniature form.
...Instead, we shall better listen to the jam, we shall better try to enjoy it if only humanly possible. And, should we ever come across an unmarried locomotive, we shall be very, very careful!
Scherzo. Vivace con fuoco – Poco meno vivo – Vivace come prima
Finale. Allegro giusto – Vivacissimo
Milcho Leviev (1937-2019) a composé son quatuor à cordes pour l'examen de diplôme de sa maîtrise en composition. Ces premiers travaux, fortement influencés par la musique de Paul Hindemith, ont connu une seule performance en première en 1960. En 2019, la partition a été redécouverte par le Philharmonica String Quartet, dont les membres ont pris la tâche de la programmer. Tout en assistant à l'une de leurs répétitions, Leviev a apporté certains amendements mineurs au score.
Pantcho VladigueroffPancho Vladigerov – Aux couleurs vives – œuvres de Pantcho Vladigueroff pour deux pianos dans ses propres transcriptions de 1976 à 1977, interprétées par le piano duo Pantcho Vladiguerov Jr. et Dimo Dimov. CD Audio & Video.
Pour 4 trompettes en do, 2 cors en fa, 2 trombones, trombone basse, tuba et triangolo (facultatif).
La magnifique chanson enfantine japonaiseMomiji ou Feuilles d'automne de Teiichi Okano avait inspiré l'arrangeur, à qui le German Brass avait demandé de préparer un morceau pour leur tournée au Japon. Cette charmante mélodie fut sublimée par les sonorités exceptionnelles de l'ensemble de cuivres, pour le plus grand bonheur des musiciens et du public.
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Le numéro ∴ Description des colis musique ∴ Acheter maintenant
Cat. N º
PC.
Prix
Vos prix
Remise
EB5Brass Quintet arrangements de Ivaylo Hristov
EF5Les cinq danses de Le Tricorne
ET8Trombone Ensembles arr. de Iv. Hristov
ES1Bulgarian Music for Solo Trombone
EP7Pantcho Vladigueroff – Piano Works
ED7Pantcho Vladigueroff – Works for 2 Pianos
EV7Pantcho Vladigueroff – Complete set
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Former President of International Trombone Association ITA
Recording artist in The Netherlands
Edition Elm manager Ivaylo Hristov has compiled a wonderful collection of original brass works and transcriptions in his Edition Elm catalog. He has chosen many works that are not otherwise available, so he does the brass community a great service. His attention to Bulgarian music is especially gratifying, in that he is introducing some very interesting new works. His transcriptions are well-chosen and well-done, although sometimes quite challenging.
For half a century, the contemporary culture of Eastern Europe was closed to us in the West. Towering beacons shone through the gloom, but our knowledge was largely restricted to those masters who either transcended the Iron Curtain, or who left to teach and compose in the West. Since 1990, a whole new world has opened up, revealing the wealth of creativity which thrived beyond our hearing – each nation swallowed by the Soviet whale struggling to maintain its own cultural identity in every art form.
Bulgaria is a small nation with an ancient and proud culture stretching back to the time of Alexander the Great. From 1945 Bulgarian musical life fostered a distinctive school of trombone playing, with a rich teaching tradition, producing a substantial body of superb recital and study material. Today the country is home to a community of talented and prolific composers – and Edition Elm has committed itself to both documenting the past, and encouraging the contemporary. Every piece in Elm’s collection has been chosen and edited by professionals, and is presented in performing materials of the highest quality and clarity, complete with biographies of all composers. These works are an invaluable addition to both personal and institutional libraries, and I have no hesitation in recommending them to performers and teachers internationally.
Professor for the interpretation of contemporary music
Guildhall School of Music and Drama, London
Professor of Sackbut
The Royal Conservatoire of Scotland, Glasgow
I ardently acclaim the appearance of Edition Elm and the idea to publish the works of Pantcho Vladigueroff. This rectifies a serious deficiency in Bulgarian musical culture and represents a significant contribution to the consolidation of national conscience and self-confidence.
Leading modern Bulgarian pianists are involved as editors and exponents in the preparation of this publication. These are people who were close friends with the composer and through their personal contacts with him had an opportunity to acquire knowledge and understanding straight from the horse’s mouth.
The print is state-of-the-art technology and easy to read.
I wish the publisher success with his noble mission.