Piano Deux pianos Quatuor à cordes Partitions Clarinette Livres CDs

Trombone solo Ensembles de trombone Ensembles de cuivres Quintette de cuivres

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Quintette de cuivres

Léo DelibesLe Roi s'amuse – Scène du Bal – Six Airs de Danse dans le Style ancien.

Arrangé pour quintette de cuivres par Ivaylo Hristov.

  • Gaillarde
  • Pavane Belle qui tiens ma vie
  • Scène du bouquet
  • Lesquercarde
  • Madrigal
  • Passepied
  • Final
  • Incidental music to the first act of the play Le Roi s'amuse by Victor Hugo – a nocturnal party at the Louvre palace in the early 16th century. Concert performance version by the author from 1889.

    13' 00"

    Penko Gelev.

    ISMN 979-0-707683-22-4

    Quintette de cuivres

    Giacomo PucciniChœur à bouche fermée – de Madame Butterfly

    Arrangé pour quintette de cuivres par Ivaylo Hristov.

    Cette mélodie bien connue est chantée alors que somnolente Cio-Cio-san attend que sa bien-aimée Pinkerton lui rende visite. C'est le trombone in sotto voce qui reçoit le merveilleux et magistral solo du quintette. Installé dans la tonalité d'origine, le Chœur à bouche fermée peut également être interprété avec un chœur.

    3' 10"

    Penko Gelev.

    ISMN 979-0-707683-09-5

    Quintette de cuivres

    Béla BartókQuatre Dialogues Sz. 82, 1926

    Arrangé pour quintette de cuivres par Ivaylo Hristov.

    Moderato, Andante, Lento, Allegro vivace

    Les Dialogues ont été publiés en 1927 comme Volume I du recueil Neuf petites pièces pour piano, Sz. 82, BB 90. En contrepoint strict, ils rappellent les Inventions de J. S. Bach, mais sonnent en fait très modernes étant donné la variété mélodique, rythmique et harmonique des thèmes de Bartók. Bien qu'elle ne dure que sept minutes, cette courte suite de miniatures polyphoniques captive l'auditeur par la fraîcheur des conversations entre tous les musiciens du quintette.

    7'

    Penko Gelev.

    ISMN 979-0-707683-19-4

    Quintette de cuivres

    Jacques OffenbachCancan – de Orphée aux enfers

    Arrangé pour quintette de cuivres par Ivaylo Hristov.

    2' 05"

    Quintette de cuivres

    Isaac AlbènizCapricho Catalan de España op. 165 No. 5

    Arrangé pour quintette de cuivres par Ivaylo Hristov.

    6' 12"

    Ensembles de trombone

    Antônio Carlos JobimThe Girl From Ipanema

    Bossa nova pour quartette de trombones

    Arrangé par Ivaylo Hristov.

    2' 50"

    Penko Gelev.

    ISMN 979-0-707683-07-1

    Ensembles de trombone

    Robert Schumann – sept pièces de Albumblätter op. 124

    pour quartette de trombones

    Sélectionnés et transcrit par Ivaylo Hristov.

  • Leid ohne Ende – Douleur sans fin
  • Burla
  • Walzer As-dur – Valse A flat major
  • Romanze – Romance
  • Walzer Es-dur – Valse E flat major
  • Leides Ahnung – Pressentiments
  • Kanon – Canon
  • Robert Schumann – Leides Ahnung

    Robert Schumann – Burla

    Trombone et trombone basse

    Musique Bulgare pour trombone et piano livre I

    Krassimir Taskov – Trois contrastes (1993)

  • Invocation
  • Crypt
  • Ostinato
  • Marin Valtchanov – Chant et jeu (1996)

    Nikola Takov – Rondo (1993)

    Milko Kolarov – Petite ballade (1993)

    Piano and solo part.

    Milko Kolarov – Petite ballade

    Enregistré pour Le trombone bulgare CD.

    Trombone et trombone basse

    Franz LisztHosannah! – Chorale pour trombone et orgue, S677

    Composition originale par Franz Liszt.

    Orgue et solo part

    Franz Liszt – Hosannah!

    Clarinette

    Bobby YotzovChant pour soprano et piano

    ou clarinette (ou saxophone soprano) en B et piano

    À Alexandrina Pendatchanska

    Chant for soprano and piano is an early work of Bobby Yotzov, inspired by the great Bulgarian soprano Alexandrina Pendatchanska, and dedicated to her.

    Borislav Yotzov has often performed this work as a piece for clarinet or soprano sax and piano. He is also the author of the lyrics.

    Julia Froschhammer.

    ISMN 979-0-707683-01-9

    4' 10"

    Bobby Yotzov – Chant

    Quatuor à cordes

    Milcho LevievQuatuor à cordes 1960, rev. 2019.

  • Allegro con brio
  • Passacaglia. Andantino semplice
  • Scherzo. Vivace con fuoco – Poco meno vivo – Vivace come prima
  • Finale. Allegro giusto – Vivacissimo
  • Milcho Leviev (1937-2019) a composé son quatuor à cordes pour l'examen de diplôme de sa maîtrise en composition. Ces premiers travaux, fortement influencés par la musique de Paul Hindemith, ont connu une seule performance en première en 1960. En 2019, la partition a été redécouverte par le Philharmonica String Quartet, dont les membres ont pris la tâche de la programmer. Tout en assistant à l'une de leurs répétitions, Leviev a apporté certains amendements mineurs au score.

    2 violons, alto et violoncello – 72 pages.

    18'

    Penko Gelev.

    ISMN 979-0-707683-21-7

    CDs

    Pantcho VladigueroffPancho VladigerovAux couleurs vives – œuvres de Pantcho Vladigueroff pour deux pianos dans ses propres transcriptions de 1976 à 1977, interprétées par le piano duo Pantcho Vladiguerov Jr. et Dimo Dimov. CD Audio & Video.

    Suite bulgare op. 21, 1926

    Mar Dimitro lyo op. 23, No. 2, 1931

    Bilyana op. 23, No. 6, 1931

    Hora staccato sans opus, 1942

    Foxtrot sans opus, 1925

    Aux couleurs vives – un film sur Vladigueroff et sa musique.

    41' 37" / 62' 56"

    Mar Dimitro lyo (extrait)

    Foxtrot (extrait)

    2008 • Ⓟ

    Deux pianos

    Pantcho VladigueroffPancho VladigerovChimmy de concert sans opus, pour deux pianos, Urtext

    À l'originale Chimmy orientalico pour violon et piano, et pour piano, composées les deux en 1924.

    77.

    3' 45"

    P. Vladigueroff – Shimmy de concert w/o opus

    Pantcho Vladigueroff Urtext editions

    Pantcho VladigueroffPancho VladigerovQuatre fresques pour piano op. 69 (1977) Urtext

    À Krassimir Gatev

  • Pour commencer...
  • Danse coquette
  • Chant ancien
  • Humoresque de danse
  • 5' 15"

    P. Vladigueroff – Quatre fresques – Danse coquette

    Piano

    Pantcho VladigueroffPancho VladigerovCinq tableaux poétiques pour piano op. 68 (1976) Urtext

    À Nikolay Evrov

  • Invention
  • Tristesse
  • Grotesque
  • Chant
  • Jeu
  • 7' 10"

    P. Vladigueroff – Cinq tableaux poétiques – Jeu

    Piano

    Mario AngelovOstinato In Eight pour piano

    To my Father

    Ostinato In Eight is a short piece in rhythms and tunes that come from Bulgarian folklore and combined with brilliant virtuosity.

    Established in 1999 in Sofia, Bulgaria, Edition Elm is an enterprise of Ivaylo Hristovtrombonist, arranger and conductor. We publish sheet music of his own arrangements for trombone ensembles, for brass quintet, and for various mixed brass ensembles. Our catalogue includes also music, scores, and parts of contemporary Bulgarian music for trombone and bass trombone accompanied by piano, organ, harp or orchestra, as well as full orchestra scores, string quartet, books and CDs.

    We publish Urtext first editions of the last piano works by the great Bulgarian composer Pantcho Vladigueroff, all composed in 1970s – six books of piano miniatures as well as his complete works for two pianos in thirteen titles.

    Edition Elm is a member of the Bulgarian copyright society Musicauthor.

    Please pay attention to our order policy in payment, shipping, delivery, and discount options.

    Our efforts through the years in spreading the Bulgarian musical heritage out were encouraged by renowned artists and pedagogues by their reviews.

    Catalogue de Partitions, CD et Livres

    Quintette de cuivres – pièces classique transcrites par Ivaylo Hristov.

    Ensembles de cuivres – arrangements pour divers ensembles de cuivres par Ivaylo Hristov.

    Trombone Quartet, Trio, Duet, Canon – transcriptions et arrangements de Ivaylo Hristov.

    Trombone et trombone basse solo – accompagné de piano, orgue, harpe, orchestre.

    Piano – musique pour piano solo par Pantcho Vladigueroff et Mario Angelov.

    Deux pianos – l'œuvre complète pour clavier duo de Pantcho Vladigueroff dans Urtext.

    Pantcho Vladigueroff Urtext Series – Premières éditions d'oeuvres pour piano et deux pianos.

    Clarinette – répertoire bulgare solo.

    Quatuor à cordes – Quatuor à cordes par Milcho Leviev.

    Partitions d'orchestre et matériaux – la musique contemporaine bulgare pour orchestra.

    CDs Audio & Video – Musique pour deux pianos et pour trombone et piano.

    Livres – Livres et méthodes de musique (en bulgare).

    Commande, paiement, livraison, remises

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    Bundle orders in packages as set bellow (and on page 5 in the print order form too) get 11% – 24,2% discount.

    Le numéro ∴ Description des colis musique ∴ Acheter maintenantCat. N ºPC.PrixVos prixRemise
    EB5Brass Quintet arrangements de Ivaylo Hristov
    EF5Les cinq danses de Le Tricorne
    ET8Trombone Ensembles arr. de Iv. Hristov
    ES1Bulgarian Music for Solo Trombone
    EP7Pantcho Vladigueroff – Piano Works
    ED7Pantcho Vladigueroff – Works for 2 Pianos
    EV7Pantcho Vladigueroff – Complete set

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    Commentaires

    Ben van Dijk

    How wonderful it is that there are still good music publishers around. Edition Elm is, in my opinion, one of the more interesting ones. Trombonist Ivaylo Hristov has compiled a fine collection of arrangements and original compositions in his catalog, which I can highly recommend as a trombonist. Most of the works are arranged by Ivaylo Hristov himself or by his Bulgarian colleagues. The trombone solo, ensemble, and brass ensemble catalog is well worth a thorough look. It is filled with musical gems, all beautifully designed and very pleasant to have on the music stand.

    Ben van Dijk

    Professor of Bass Trombone, Royal Conservatoire, The Hague

    Retired bass trombone, Rotterdam Philharmonic Orchestra

    Former President of International Trombone Association ITA

    Recording artist in The Netherlands

    Vern Kagarice

    Edition Elm manager Ivaylo Hristov has compiled a wonderful collection of original brass works and transcriptions in his Edition Elm catalog. He has chosen many works that are not otherwise available, so he does the brass community a great service. His attention to Bulgarian music is especially gratifying, in that he is introducing some very interesting new works. His transcriptions are well-chosen and well-done, although sometimes quite challenging.

    Congratulations for an excellent effort.

    Vern Kagarice

    Former Professor of Trombone

    University of North Texas

    John Kenny

    For half a century, the contemporary culture of Eastern Europe was closed to us in the West. Towering beacons shone through the gloom, but our knowledge was largely restricted to those masters who either transcended the Iron Curtain, or who left to teach and compose in the West. Since 1990, a whole new world has opened up, revealing the wealth of creativity which thrived beyond our hearing – each nation swallowed by the Soviet whale struggling to maintain its own cultural identity in every art form.

    Bulgaria is a small nation with an ancient and proud culture stretching back to the time of Alexander the Great. From 1945 Bulgarian musical life fostered a distinctive school of trombone playing, with a rich teaching tradition, producing a substantial body of superb recital and study material. Today the country is home to a community of talented and prolific composers – and Edition Elm has committed itself to both documenting the past, and encouraging the contemporary. Every piece in Elm’s collection has been chosen and edited by professionals, and is presented in performing materials of the highest quality and clarity, complete with biographies of all composers. These works are an invaluable addition to both personal and institutional libraries, and I have no hesitation in recommending them to performers and teachers internationally.

    John Kenny

    Professor for the interpretation of contemporary music

    Guildhall School of Music and Drama, London

    Professor of Sackbut

    The Royal Conservatoire of Scotland, Glasgow

    Nikolay Evrov

    I ardently acclaim the appearance of Edition Elm and the idea to publish the works of Pantcho Vladigueroff. This rectifies a serious deficiency in Bulgarian musical culture and represents a significant contribution to the consolidation of national conscience and self-confidence.

    Leading modern Bulgarian pianists are involved as editors and exponents in the preparation of this publication. These are people who were close friends with the composer and through their personal contacts with him had an opportunity to acquire knowledge and understanding straight from the horse’s mouth.

    The print is state-of-the-art technology and easy to read.

    I wish the publisher success with his noble mission.

    Nikolay Evrov

    Former Professor of Piano

    Sydney Conservatorium of Music

    ElmUS.biZ