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Brass Quintet

Manuel de Falla – Final Dance – Jota from The Three-cornered Hat

Arranged for Brass Quintet by Ivaylo Hristov.

Since it is St. John's Night, a large number of people drop in across the bridge and fill the esplanade in a procession, carying a banner on which the effigy of the Corregidor is displayed. General dance, during which the old coxcomb is identified, and the miller and his wife are reconciled. The Corregidor, scoffed at by the crowd, has received so many cuffs that he lets himslef drop to the ground completely confounded. The people lay hold of him and joyously toss him on a blanket, like some rueful puppet. This is the final Jota from the ballet El sombrero de tres picos (1919), from Manuel de Falla.

4' 15"

Penko Gelev.

ISMN 979-0-707683-18-7

Brass Quintet

Bιla Bartσk – Four Dialogues Sz. 82, 1926

Arranged for Brass Quintet by Ivaylo Hristov.

Moderato, Andante, Lento, Allegro vivace

The Dialogues were published in 1927 as Volume I of the collection Nine Little Pieces for Piano, Sz. 82, BB 90. In strict counterpoint, they recall the J. S. Bach’s Inventions, but actually sound quite modern given the melodic, rhythmic, and harmonic variety of Bartok’s themes. Although only seven minutes long, this short suite of polyphonic miniatures captivates the listener with the freshness of the conversations among all musicians in the quintet.

7'

Penko Gelev.

ISMN 979-0-707683-19-4

Trombone Ensembles

Robert Schumann – seven pieces from Albumblδtter op. 124

for trombone quartet

Selected and arranged by Ivaylo Hristov.

  • Leid ohne Ende – Sorrow never ending
  • Burla
  • Walzer As-dur – Waltz A flat major
  • Romanze – Romance
  • Walzer Es-dur – Waltz E flat major
  • Leides Ahnung – Grief's Forebodings
  • Kanon – Canon
  • Robert Schumann – Leides Ahnung

    Robert Schumann – Burla

    Trombone Ensembles

    Canons in 3, 4 & 6 voices

    for trombone ensembles

    Selected and transcribed by Ivaylo Hristov.

    Compositions by Henry Purcell, Joseph Haydn, Wolfgang Amadeus Mozart, Ludwig van Beethoven, Carl Maria von Weber, Franz Schubert, Robert Schumann, Johannes Brahms and others originally written for singers, but excellent to be performed by any instruments of a same kind. There are over forty small pieces of different character – religious, humorous, poetic etc.

    Score is not needed.

    Trombone and Bass Trombone

    Bulgarian music for trombone and piano Vol. III

    Alexander Tanev – Rondo Scherzando (1964)

    Boyan Ikonomov – Prelude and Dance (1948)

    Milko Kolarov – Autumn Elegy (1998)

    Piano and solo part.

    Alexander Tanev – Rondo Scherzando (excerpt)

    Recorded for The Bulgarian Trombone CD.

    Trombone and Bass Trombone

    Andrian Pervazov – /dev/jam for Trombone and Harp

    Recorded on the CD release Embracing The Unknown by John Kenny and Catriona McKay on the Brass Classics label.

    8' 35"

    Harp and solo part

    ISMN 979-0-707683-00-2

    Andrian Pervazov – /dev/jam (excerpt)

    ...Instead, we shall better listen to the jam, we shall better try to enjoy it if only humanly possible. And, should we ever come across an unmarried locomotive, we shall be very, very careful!

    Program notes in English and Bulgarian.

    Orchestra Scores and Hire Materials

    Milko Kolarov – Concerto

    for bass trombone and symphony orchestra

  • Sonatina
  • Aria
  • Toccata
  • Commissioned by Swiss bass trombone player Johannes Bigler this Concerto was and premiered in 1998 during Varna Summer music festival. It was named by the critics as a brilliant piece... a model of miniature form.

    Bass trombone and piano version is also available.

    Milko Kolarov – Concerto – Toccata (excerpt)

    Clarinet

    Roumen Balyozov – Three Pieces for solo clarinet

  • Ritual
  • Elegie
  • Moto Perpetuo
  • Three Pieces for solo clarinet (composed in 1981) are dedicated to the famous Bulgarian clarinet player Atanas Kolev. This composition was premiered at the festival New Bulgarian Music in 1982 and holds the Annual Chamber Music Award of the Union of Bulgarian Composers for the same year.

    7' 20"

    Roumen Balyozov – Three Pieces – Moto Perpetuo

    String Quartet

    Milcho Leviev – String Quartet 1960, rev. 2019.

  • Allegro con brio
  • Passacaglia. Andantino semplice
  • Scherzo. Vivace con fuoco – Poco meno vivo – Vivace come prima
  • Finale. Allegro giusto – Vivacissimo
  • Milcho Leviev (1937–2019) composed his String Quartet for his Master’s graduation exam in Composition. This early work, strongly influenced by the music of Paul Hindemith, had a single premiere performance in 1960. In 2019, the score was rediscovered by the Philharmonica String Quartet, whose members took up the task of programming it. While attending one of their rehearsals, Leviev made certain minor amendments to the score.

    2 violins, viola and violoncello – 72 pages.

    18'

    Penko Gelev.

    ISMN 979-0-707683-21-7

    CDs

    Pantcho VladigueroffPantcho Vladigueroff – In Bright Colours – works for two pianos by Pancho Vladigerov in his own transcriptions from 1976-77, performed by the piano duo Pantcho Vladiguerov Jr. and Dimo Dimov. CD Audio & Video.

    Suite bulgare op. 21, 1926

    Mar Dimitro lyo op. 23, No. 2, 1931

    Bilyana op. 23, No. 6, 1931

    Hora staccato w/o opus, 1942

    Foxtrot w/o opus, 1925

    In Bright Colours – a film about Vladigerov and his music.

    41' 37" / 62' 56"

    Mar Dimitro lyo (excerpt)

    Foxtrot (excerpt)

    2008 • Ⓟ

    Two Pianos

    Pantcho VladigueroffPancho Vladigerov – Swedish Dance op. 13, No. 2, for two pianos, Urtext

    From the stage-music for A Dream Play by August Strindberg composed in 1921.

    77.

    5' 10"

    P. Vladigueroff – Danse suedoise op. 13, No. 2

    Piano

    Pantcho VladigueroffPancho Vladigerov – Four Pieces for piano op. 65 (1973) Urtext

    À Ivan Drenikov

  • Prelude
  • Etude
  • Arie
  • Ratschenica
  • 5' 00"

    P. Vladigueroff – Quatre piθces – Ratschenica

    Pantcho Vladigueroff Urtext Series

    Pantcho VladigueroffPancho Vladigerov – Foxtrot w/o opus, for two pianos, Urtext

    Originally for piano, composed in 1925.

    77.

    3' 50"

    P. Vladigueroff – Foxtrot w/o opus

    Music Books and Methods

    Dimitrina Tabakova – The Rungs to the Temple

    Principles of teaching violin according to the school of Joseph Joachim, Leopold Auer and Nedyalka Simeonova.

    Dimitrina Tabakova is a fine musician and longtime violin teacher in Bulgaria. Her book goes far beyond the mere methods and also collects valuable knowledge and inherited experience.

    This book is suitable for any violinist, violist and a cellist – teacher or student, professional or amateur. Also for parents whose child just begins playing the violin. The book is useful to all who are professionally interested or merely curious in the secrets of violin mastery.

    ISMN 979-0-707683-08-8

    In bulgarian, first edition, 144 pages, soft cover.

    Established in 1999 in Sofia, Bulgaria, Edition Elm is an enterprise of Ivaylo Hristov – trombonist, arranger and conductor. We publish sheet music of his own arrangements for trombone ensembles, for brass quintet, and for various mixed brass ensembles. Our catalogue includes also music, scores, and parts of contemporary Bulgarian music for trombone and bass trombone accompanied by piano, organ, harp or orchestra, as well as full orchestra scores, string quartet, books and CDs.

    We publish Urtext first editions of the last piano works by the great Bulgarian composer Pantcho Vladigueroff, all composed in 1970s – six books of piano miniatures as well as his complete works for two pianos in thirteen titles.

    Edition Elm is a member of the Bulgarian copyright society Musicauthor.

    Please pay attention to our order policy in payment, shipping, delivery, and discount options.

    Our efforts through the years in spreading the Bulgarian musical heritage out were encouraged by renowned artists and pedagogues by their reviews.

    Catalogue of Sheet Music, CDs & Books

    Brass Quintet – Classical masterpieces arranged for brass instruments by Ivaylo Hristov.

    Brass Ensembles – Arrangements of Ivaylo Hristov for variuos brass ensembles.

    Trombone Quartet, Trio, Duet, Canon – Transcriptions and arrangements of Ivaylo Hristov.

    Trombone and Bass Trombone solo literature – Accompanied by piano, organ, harp, orchestra.

    Piano – Sheet music for piano solo by Pantcho Vladigueroff and Mario Angelov.

    Two Pianos – Complete works for piano duo by Pantcho Vladigueroff in Urtext editions.

    Pantcho Vladigueroff Urtext Series – First editions of his last works for piano & two pianos.

    Clarinet – Bulgarian Clarinet solo repertiore.

    String Quartet – String Quartet by Milcho Leviev.

    Orchestra Scores and Hire Materials – Contemporary Bulgarian music for orchestra.

    CDs Audio & Video – Recordings of music for two pianos, for trombone and piano.

    Books – Music Books and Methods (in Bulgarian).

    Order, Payment, Delivery, Discounts

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    Bundle orders in packages as set bellow (and on page 5 in the print order form too) get 10,7% – 24,2% discount.

    Catalog number ∴ Description of music packages ∴ Buy NowCat. N ΊPcs.PriceYou payYou save
    EB5Brass Quintet arrangements of Ivaylo Hristov
    EF5All Five Dances by de Falla for Brass Quintet
    ET8Trombone Ensembles arr. of Ivaylo Hristov
    ES1Bulgarian Music for Solo Trombone
    EP7Pantcho Vladigueroff – Piano Works
    ED7Pantcho Vladigueroff – Works for 2 Pianos
    EV7Pantcho Vladigueroff – Complete set

    If you still need a bunch of music, but not a package among listed above, we offer 10% rebate on any retail order greater than 12 copies. In this case please print this order form and send it back duly completed.

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    Reviews

    Vern Kagarice

    Edition Elm manager Ivaylo Hristov has compiled a wonderful collection of original brass works and transcriptions in his Edition Elm catalog. He has chosen many works that are not otherwise available, so he does the brass community a great service. His attention to Bulgarian music is especially gratifying, in that he is introducing some very interesting new works. His transcriptions are well-chosen and well-done, although sometimes quite challenging.

    Congratulations for an excellent effort.

    Vern Kagarice

    Former Professor of Trombone

    University of North Texas

    John Kenny

    For half a century, the contemporary culture of Eastern Europe was closed to us in the West. Towering beacons shone through the gloom, but our knowledge was largely restricted to those masters who either transcended the Iron Curtain, or who left to teach and compose in the West. Since 1990, a whole new world has opened up, revealing the wealth of creativity which thrived beyond our hearing – each nation swallowed by the Soviet whale struggling to maintain its own cultural identity in every art form.

    Bulgaria is a small nation with an ancient and proud culture stretching back to the time of Alexander the Great. From 1945 Bulgarian musical life fostered a distinctive school of trombone playing, with a rich teaching tradition, producing a substantial body of superb recital and study material. Today the country is home to a community of talented and prolific composers – and Edition Elm has committed itself to both documenting the past, and encouraging the contemporary. Every piece in Elm’s collection has been chosen and edited by professionals, and is presented in performing materials of the highest quality and clarity, complete with biographies of all composers. These works are an invaluable addition to both personal and institutional libraries, and I have no hesitation in recommending them to performers and teachers internationally.

    John Kenny

    Professor for the interpretation of contemporary music

    Guildhall School of Music and Drama, London

    Professor of Sackbut

    The Royal Conservatoire of Scotland, Glasgow

    Nikolay Evrov

    I ardently acclaim the appearance of Edition Elm and the idea to publish the works of Pantcho Vladigueroff. This rectifies a serious deficiency in Bulgarian musical culture and represents a significant contribution to the consolidation of national conscience and self-confidence.

    Leading modern Bulgarian pianists are involved as editors and exponents in the preparation of this publication. These are people who were close friends with the composer and through their personal contacts with him had an opportunity to acquire knowledge and understanding straight from the horse’s mouth.

    The print is state-of-the-art technology and easy to read.

    I wish the publisher success with his noble mission.

    Nikolay Evrov

    Former Professor of Piano

    Sydney Conservatorium of Music

    ElmUS.biZ