Incidental music to the first act of the play Le Roi s'amuse by Victor Hugo – a nocturnal party at the Louvre palace in the early 16th century. Concert performance version by the author from 1889.
These most popular dances from the ballet Coppélia (1870) by Léo Delibes are arranged for brass quintet in their original version for concert preformance.
Tristesse, Danse tourbillonnante rumanienne, Quasi pizzicato, Burlesque – Danse ruthénienne, Les cornemas
Né en Transylvanie, dans l'actuelle Roumanie, le compositeur hongroisBéla Victor János Bartók a grandi dans un village de l'actuelle Ukraine, puis à Bratislava, aujourd'hui capitale de la Slovaquie. Ethnomusicologue passionné, il collectionne et étudie le folklore musical authentique de l'Europe de l'Est, et cette passion influence fortement son œuvre. Dans sa Petite Suite, Bartók a sélectionné et traité de manière innovante des mélodies provenant des terres où il a passé son enfance.
Percussions ad libitum: grosse caisse, cymbales et triangle.
This famous chorus – nowadays known as The Anthem of Europe – is preceded here by the marching band section. The arrangement cleverly keeps close to the original score and fits perfectly with the sonority of the brass ensemble. It is suitable for any kind of festivities and can also be performed together with a choir and solo tenor.
...Instead, we shall better listen to the jam, we shall better try to enjoy it if only humanly possible. And, should we ever come across an unmarried locomotive, we shall be very, very careful!
Les Trois pièces pour clarinette solo (composée en 1981) sont dédiéées au fameux clarinetiste Bulgare Atanas Kolev. Leur première a été pendant le festival Musique bulgare neuve de 1982. Cette composition a été primée avec le Prix Annuel pour Musique de chambre de Union des compositeurs Bulgares pour la même année.
Scherzo. Vivace con fuoco – Poco meno vivo – Vivace come prima
Finale. Allegro giusto – Vivacissimo
Milcho Leviev (1937-2019) a composé son quatuor à cordes pour l'examen de diplôme de sa maîtrise en composition. Ces premiers travaux, fortement influencés par la musique de Paul Hindemith, ont connu une seule performance en première en 1960. En 2019, la partition a été redécouverte par le Philharmonica String Quartet, dont les membres ont pris la tâche de la programmer. Tout en assistant à l'une de leurs répétitions, Leviev a apporté certains amendements mineurs au score.
Pantcho VladigueroffPancho Vladigerov – Aux couleurs vives – œuvres de Pantcho Vladigueroff pour deux pianos dans ses propres transcriptions de 1976 à 1977, interprétées par le piano duo Pantcho Vladiguerov Jr. et Dimo Dimov. CD Audio & Video.
Five small and easy piano pieces for children called Bagatelles are dedicated to composer's daughter who was in the age of four when they were written.
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Le numéro ∴ Description des colis musique ∴ Acheter maintenant
Cat. N º
PC.
Prix
Vos prix
Remise
EB5Brass Quintet arrangements de Ivaylo Hristov
EF5Les cinq danses de Le Tricorne
ET8Trombone Ensembles arr. de Iv. Hristov
ES1Bulgarian Music for Solo Trombone
EP7Pantcho Vladigueroff – Piano Works
ED7Pantcho Vladigueroff – Works for 2 Pianos
EV7Pantcho Vladigueroff – Complete set
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Edition Elm manager Ivaylo Hristov has compiled a wonderful collection of original brass works and transcriptions in his Edition Elm catalog. He has chosen many works that are not otherwise available, so he does the brass community a great service. His attention to Bulgarian music is especially gratifying, in that he is introducing some very interesting new works. His transcriptions are well-chosen and well-done, although sometimes quite challenging.
For half a century, the contemporary culture of Eastern Europe was closed to us in the West. Towering beacons shone through the gloom, but our knowledge was largely restricted to those masters who either transcended the Iron Curtain, or who left to teach and compose in the West. Since 1990, a whole new world has opened up, revealing the wealth of creativity which thrived beyond our hearing – each nation swallowed by the Soviet whale struggling to maintain its own cultural identity in every art form.
Bulgaria is a small nation with an ancient and proud culture stretching back to the time of Alexander the Great. From 1945 Bulgarian musical life fostered a distinctive school of trombone playing, with a rich teaching tradition, producing a substantial body of superb recital and study material. Today the country is home to a community of talented and prolific composers – and Edition Elm has committed itself to both documenting the past, and encouraging the contemporary. Every piece in Elm’s collection has been chosen and edited by professionals, and is presented in performing materials of the highest quality and clarity, complete with biographies of all composers. These works are an invaluable addition to both personal and institutional libraries, and I have no hesitation in recommending them to performers and teachers internationally.
Professor for the interpretation of contemporary music
Guildhall School of Music and Drama, London
Professor of Sackbut
The Royal Conservatoire of Scotland, Glasgow
I ardently acclaim the appearance of Edition Elm and the idea to publish the works of Pantcho Vladigueroff. This rectifies a serious deficiency in Bulgarian musical culture and represents a significant contribution to the consolidation of national conscience and self-confidence.
Leading modern Bulgarian pianists are involved as editors and exponents in the preparation of this publication. These are people who were close friends with the composer and through their personal contacts with him had an opportunity to acquire knowledge and understanding straight from the horse’s mouth.
The print is state-of-the-art technology and easy to read.
I wish the publisher success with his noble mission.