Incidental music to the first act of the play Le Roi s'amuse von Victor Hugo – a nocturnal party at the Louvre palace in the early 16th century. Concert performance version by the author from 1889.
These most popular dances from the ballet Coppélia (1870) by Léo Delibes are arranged for brass quintet in their original version for concert preformance.
Originally for piano, this collection of 12 waltzes was written for Viennese ballrooms a few months before the composer passed away. It is their lilting and distinctive Viennese rhythm, rubato, balanced phrases, straightforward form, gliding middle voices, melodic suspensions, and unexpected harmonic subtleties that attract the listener.
Bearbeitung für Solo Violine und 8 Blechbläser von Ivaylo Hristov.
Für 3 Trompetten in B, 2 Hõrner in F, Posaune, Bassposaune, Basstuba und Solo Violine.
Slovak violinist Boris Kucharsky had commissioned the American composer Robert Aldridge an encore piece for solo violin and string orchestra — Tango for a Beautiful Woman, inspired by Gabriela Skrabakova. We publish a transcription for solo violin and brass ensemble, where the brass instruments are supposed to play all the time quasi pizzicato.
...Instead, we shall better listen to the jam, we shall better try to enjoy it if only humanly possible. And, should we ever come across an unmarried locomotive, we shall be very, very careful!
Scherzo. Vivace con fuoco – Poco meno vivo – Vivace come prima
Finale. Allegro giusto – Vivacissimo
Milcho Leviev (1937–2019) komponierte sein Streichquartett für die Abschlussprüfung seines Meisters in Komposition. Diese frühe Werk, die stark von der Musik von Paul Hindemith beeinflusst wurde, hatte 1960 eine einzige Premiere -Leistung. 2019 wurde die Partitur vom Philharmonica -Streichquartett wiederentdeckt, dessen Mitglieder die Aufgabe der Programmierung aufnahmen. Während der Teilnahme an einer ihrer Proben nahm Leviev bestimmte geringfügige Änderungen an der Partitur vor.
Pantcho VladigueroffPantcho Vladigueroff – In leuchtenden Farben – Werke für zwei Klaviere von Pantscho Wladigueroff in eigenen Transkriptionen von 1976-77, aufgeführt vom Klavierduo Pantcho Vladiguerov Jr. und Dimo Dimov. CD Audio & Video.
Drei Stücke für Solo Klarinette (komp. 1981) sind dem grossen Bulgarischen Klarinettist Atanas Kolev gewidmet. Diese Komposition ist zuerst am Festival Neue Bulgarische Musik im 1982 ausgeführt und dafür hat der Komponist den Jahrespreis für Kammermusik des Bund der Komponisten für dasselbe Jahr bekommen.
Commissioned by Swiss bass trombone player Johannes Bigler this Concerto was and premiered in 1998 during Varna Summer music festival. It was named by the critics as a brilliant piece... a model of miniature form.
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Nummer ∴ Artikelbezeichnung der Pakete ∴ Kaufe Jetzt
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EB5Blechbläserquintette – Tr. Ivaylo Hristov
EF5Alle fünf Tänze aus Der Dreispitz
ET8Posaunenensembles – Tr. Ivaylo Hristov
ES1Bulgarische Repertoire für Soloposaune
EP7Pantcho Vladigueroff – Alle Klavierwerke
ED7Pantcho Vladigueroff – Alle Werke für 2 Klaviere
EV7P. Vladigueroff – Alle Solo- und Klavierduowerke
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Edition Elm manager Ivaylo Hristov has compiled a wonderful collection of original brass works and transcriptions in his Edition Elm catalog. He has chosen many works that are not otherwise available, so he does the brass community a great service. His attention to Bulgarian music is especially gratifying, in that he is introducing some very interesting new works. His transcriptions are well-chosen and well-done, although sometimes quite challenging.
For half a century, the contemporary culture of Eastern Europe was closed to us in the West. Towering beacons shone through the gloom, but our knowledge was largely restricted to those masters who either transcended the Iron Curtain, or who left to teach and compose in the West. Since 1990, a whole new world has opened up, revealing the wealth of creativity which thrived beyond our hearing – each nation swallowed by the Soviet whale struggling to maintain its own cultural identity in every art form.
Bulgaria is a small nation with an ancient and proud culture stretching back to the time of Alexander the Great. From 1945 Bulgarian musical life fostered a distinctive school of trombone playing, with a rich teaching tradition, producing a substantial body of superb recital and study material. Today the country is home to a community of talented and prolific composers – and Edition Elm has committed itself to both documenting the past, and encouraging the contemporary. Every piece in Elm’s collection has been chosen and edited by professionals, and is presented in performing materials of the highest quality and clarity, complete with biographies of all composers. These works are an invaluable addition to both personal and institutional libraries, and I have no hesitation in recommending them to performers and teachers internationally.
Professor for the interpretation of contemporary music
Guildhall School of Music and Drama, London
Professor of Sackbut
The Royal Conservatoire of Scotland, Glasgow
I ardently acclaim the appearance of Edition Elm and the idea to publish the works of Pantcho Vladigueroff. This rectifies a serious deficiency in Bulgarian musical culture and represents a significant contribution to the consolidation of national conscience and self-confidence.
Leading modern Bulgarian pianists are involved as editors and exponents in the preparation of this publication. These are people who were close friends with the composer and through their personal contacts with him had an opportunity to acquire knowledge and understanding straight from the horse’s mouth.
The print is state-of-the-art technology and easy to read.
I wish the publisher success with his noble mission.